Raleigh Becket (
dontchaserabbits) wrote2013-07-15 10:15 am
Trying to catch up on some sleep.
Mako and Raleigh are theoretically in Moscow right now. Or is it Saint Petersburg. Raleigh doesn't even remember anymore.
What he does know is that the door to Milliways opened right after their thirty-seventh state dinner, and he was more than happy to grab his co-pilot and run away for a little bit.
He knew there were rooms upstairs, but tonight is the first time that Raleigh's taken advantage of one. Mako acquires two adjacent rooms for the both of them, and they quickly say their goodnights.
Raleigh's on his belly and snoring in less than ten minutes.
What he does know is that the door to Milliways opened right after their thirty-seventh state dinner, and he was more than happy to grab his co-pilot and run away for a little bit.
He knew there were rooms upstairs, but tonight is the first time that Raleigh's taken advantage of one. Mako acquires two adjacent rooms for the both of them, and they quickly say their goodnights.
Raleigh's on his belly and snoring in less than ten minutes.

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"I'm sorry," she murmurs, fingers quietly swiping across her cheeks.
"I'd felt it, before - just the fringes of the memory."
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"He tried to talk to me, before it ripped out the hull section. I never heard the end of the sentence, but...I always thought afterward he was trying to tell me to keep living."
Which was one of the reasons he left, afterward. Living obviously meant not being a Jaeger pilot anymore.
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Living meant coming back, in the end. Maybe a part of each of them had to die so that they could live again.
And they've lost a lot to win back their freedom - the ghosts of their losses hang in the air around them. Stacker. Yancy. Chuck.
"You were still connected," she murmurs. "It's exactly what he was trying to tell you."
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At least in Raleigh's opinion.
"Did you want to try and go back to sleep?"
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She slowly tilts her head to look up at him.
"Am I keeping you awake?"
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Dialogues and all.
"Let me -- nn -- " It takes Raleigh a minute or two to fiddle with both himself and the blankets so that Mako is in the crook of his left arm and shoulder, and their both covered by at least some of the quilt he'd found in those tiny ten minutes before unconsciousness earlier.
"I do have to warn you though that I'll keep talking until you tell me to shut up."
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It's always good to specify these things.
Then again, she's not really thinking about that when she fits to him, somewhat conscious of her exposed skin pressed against the expanse of his - but he's warm, and her head fits just so against his shoulder.
"I don't mind you talking," she says, eyes finding the shape of his profile in the dark.
It'll keep the ghosts at bay.
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"Yancy taught me how to fish, but he never would explain to me how to make those stupid lures you're supposed to use..."
Continuing on for a good while.
(If he forced her to see him, the least Raleigh can do is make Yancy a person instead of a specter.)
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If her hand comes to rest along his side, arm slowly encircling his middle, she remains unawares, exhaling deeply.
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Raleigh's stories finally end, and he cranes his neck to try and judge if Mako's truly asleep at this point.
"Oyasuminasai," he mumbles, hand ending up in her hair.
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Slowly, she disentangles herself from him, carefully adjusting his hand so that it falls naturally, and pauses for just a moment to nudge her forehead against his.
Her intent is to secure a cup of coffee - real coffee from the Bar - but it ends up becoming an entire tray full of breakfast for the both of them, which she only just manages to balance while opening the door to his room at the same time.
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"Thought you'd gone back to your room," says the man with one shoe on, one shoe off.
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"I thought you might be hungry," she replies, looking down at the uneven status of his footwear.
"You were still asleep."
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"I know - I just woke up a minute ago."
And the first thirty seconds or so after waking was spent analyzing the night's conversation.
"What'd you bring me?"
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"There is coffee in the thermos."
The plates themselves have fresh fruit, scrambled eggs, bacon and a few pieces of toast.
(Hers is the one with the hot sauce on the eggs. His is the one with the pancake hiding underneath.)
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"To bread," he jibes.
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"You don't think everyone is going to wonder why we look so well-rested?"
All the better for the tour, she supposes; they'll boost morale if they look more bright-eyed and less ragged.
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Or for her, as far as a tan is concerned.
"Where would you want to go? Once it's over."
If anything, he's entitled to a little time off now.
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"You?"
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"I wanted to travel, originally, but we are already doing that now."
Beat.
"I think I would like to go somewhere quiet. A lake, or up in the mountains. Or a lake in the mountains."
Not the ocean. Not now that she knows how deep it truly goes.
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"We should go sometime."
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"That is in the States, yes?"
She shakes her head.
"I have never seen it, aside from pictures. It looks lovely."
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He remembers the flashes from the first Drift, but.
"...you looked happy while you were doing it."
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"It is meant to hone concentration. To achieve perfect lines, to develop patterns - it is as much a mental effort as physical.
"Of course, when you are a child it is much harder."
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